With its masterful cinematography and impeccable practical effects, The Church may falter in substance, but it more than compensates with its sheer style. Every frame is a testament to the technical prowess of the crew, from the evocative lighting to the clever camera angles, creating a visual tapestry that is nothing short of breathtaking.
Amityville 1992: It’s About Time garnered a lacklustre 40% score on the TOMATOMETER and a modest 4.7/10 rating on IMDb. In my assessment, these ratings are fitting, as the film occupies a middle ground between being outright terrible and genuinely commendable. While it delivers some effective scares, the overall experience is tarnished by subpar acting and story, stilted dialogue, and inconsistencies in the quality of special effects.
